“To experience this ‘lower’, more ‘condensed’ level of ‘reality awareness’, the genetic coding of the potential ‘human being’ was altered significantly. Having once been upgraded to advanced states as a ‘vehicle’ for the gods to occupy, the ‘true’ Fall was a metaphoric event, whereby the perceptual range of human consciousness was given its current (until recently) modes of operation. The “states” achieved by the magicians and priests who conduct the later ‘rites’ an ‘rituals’ in honor or by direction of these gods, angels and Anunnaki beings seem to coincide by definition with the expansion of ‘awareness’ potentials of the human being. As a result, such priests, magicians, avatars and the like, were often considered to be more than “human” for their ‘range’ of experience.” [Excerpted from Enochian Magic & The Kabbalah by Joshua Free.]
“In many ways these ‘systematized’ “kabbalahs” or representations of the Tree of Life (or even ‘ladder of lights’) are ‘defining’ what, from one perspective, could be considered a fall – charting the expansion or condensat-ion of manifested material existence. It shows a godly or first-form ‘realm’ and further fragmentation or separation from that in succession, covering all aspects of physical, emotional and intellectual awareness, until we reach the most ‘mundane’ and ‘concrete’ forms.”
“If we truly examine what the Kabbalah represents: the entire orchestra of existence, the bands and rays of light and life that intertwine to cause manifestation, are all illustrated as ‘separations’ or ‘fragmentations’ from the Source – even though they remain connected to it. They are perceived as being a continuous unfolding or expansion of the first cause or first move or first form, which the Sumerians actually identified as a dragon. Where the Hebrew and Judeo-Christian tradition speaks of the “primordial sea” and the “separation” of this sea to bring forth life, the more antiquated tablets from Mesopotamia fully describe the same event as the birth of the first-form dragon Tiamat out of the ooze of the ‘primordial Abyss” (Absu) that initially occupied all existence before being separated into forms.” [From Joshua Free's Enochian Magic & The Kabbalah.]
“Once the method or ‘pattern’ for life had taken place with Tiamat, the “Enuma Elis” tablet series describes a host of creatures of varying types being ‘spawned’ by the dragon, who is also identified as the All-Mother of the fragmented identity-bodies of the same beings lat-er given in lore as gods, angels, messengers, watchers and
otherwise: “Anunnaki” Since Tiamat, the genetic ‘coil’ (DNA) that programs the pattern into life-existence has been referred to as the ‘serpent coil’ by mystics; the snake coiled around the Tree of Life.”
“Prior to the Fall or the “disposal of humanity” (via the Flood or some other calamity), there was a mass ‘exodus’ of the gods and other angelic (Anunnaki or Igigi) beings; a period where the ‘highest beings’ withdraw from this existence so as not to become confined to its more condensed 3-D reality. By remaining outside the ‘system’ (so-to-speak), they could be allowed access to it by a ‘higher order’ and thus be able to later more directly interact with it again by incarnating into app-ropriate genetic vehicles – so that they might appear as gods and angels to the later post-diluvial humans, which they successfully did and out oldest available literature is overflowing with such renderings.” [Excerpted from Enochian Magic & The Kabbalah.]
“It is during this ‘shift’ in consciousness on the planet (and the local universe) that we also see a ‘division’ or polarity of “power” begin to swell up – some pendulum movement of the cosmos that forces the illusion of 3-D movement in an otherwise entangled existence. Now we witness the rise of the “Dark Brotherhood”, beings which preferred to ‘master’ this existence from the inside, rather than withdraw into ‘higher orders’…”
ENOCHIAN MAGIC & THE KABBALAH: Summoning Angels, Aliens, UFOs & Other Divine Encounters
by Joshua Free
For the first time in modern history, the true origins of Judaic Mysticism (the Kabbalah), Christian spiritual beliefs and other derived practices of ceremonial magic (such as the Enochian system, Hermetics and Golden Dawn methods) can now be traced directly to the archetypal ‘Sky-God’ traditions of the prehistoric Mesopotamians: The post-Sumerian Babylonian “Star-Gate” system dedicated to the Anunnaki!
“The dragon has always been something of an
enigma, but slowly and surely it has reemerged
into the light of present times, most
progressively during the last 100 years. Prior
to the last century of ‘pagan’ and ‘mystical’
revival, the dragon was mostly either considered
evil or else connected to distant and
‘irrelevant’ mythologies (according to the
consciousness level of the population at these
times).” (from the Draconomicon by Joshua Free)
“One of the most paramount initial reintroductions
of the dragon into modern culture
came popularly from someone who would be
‘respected’ among his peers, or at the very
least be ‘one of the community’ when making
his relay… J.R.R. Tolkein.”
“Although mostly absent from the “Lord of the
Rings” literary cycle itself, The Hobbit
famously featured the hoarding-dragon
Smaug. For as long as it has been available (c.
1939), The Hobbit and its dragon have
influenced more of 20th and 21st century “epic
fantasy” (including such projects as Dungeons
& Dragons) than anything else to appear in
print.” (from the Draconomicon)
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“The 1960′s brought a period of ‘fantasy’ and
‘psychedelic enchantment’ that very often
included the dragon themes. Consider the
Disney rendition of Sword-in-the-Stone where
Madam Nim turns into a dragon. Another of
their films, Sleeping Beauty, also features a
female magic-user that transforms into a
dragon. The song and film “Puff the Magic
Dragon” also seems to have inspired a certain
segment of a past generation that will never
be able to forget, nor the timelessness of
Pete’s Dragon and similar lovable classics.” (from the Draconomicon)
“In 1977, TSR launched their first edition of
“Advanced Dungeon & Dragons,” what players
would later call simply “D&D.” This newer
version of the game consisted of expanded
rules available in separate hardcover books,
allowing for infinite expansion possibilities,
an aspect that TSR took full advantage of. The
core books required for the game are “The
Player’s Handbook,” “The Dungeon Master’s
Guide” and the “Monster Manual,” all of which
were originally written by Gary Gygax himself.
The original fantasy artwork gracing these
covers was deemed too controversial for the
mainstream, so a more commercial look was
given to the same edition in 1978. Further
titles came to supplement the core materials,
including: “Deities & Demigods,” “The Manual of
the Planes” and the controversial “Fiend Folio.”
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“Dungeons & Dragons began to spark religious
controversy once things started happening to
psychologically unstable teenagers who became
obsessed with the occult elements and
the “role-play” of the game. Although the
game obviously exposed players to metaphysical
and magickal “themes,” it did not
teach practices any more useful that someone
might gain from reading Grimms’ Faerie Tales.” (from the Draconomicon)
“The first bout of public concern emerged
almost immediately in 1979 when a player,
James Dallas Egbert III, at the University of
Michigan disappeared for nearly a month.
Media attention was attracted and the official
story became that the boy’s reality had
merged with the game world, so he goes into
the steam ducts of the university for personal
adventure and dies. Of course, none of this
turned out to be true. Sales skyrocketed
though.”
“In 1989, TSR produced a new “second edition”
of the game as well as new rules and supplements.
TSR has been steadily dealing with
financial problems and sought to attract a
new generation of players with a new look
and feel to the product. A decade later, TSR
would be bankrupt, only to have their design
patents and trademarks purchased by Wizards
of the Coast, who released a new, classier, easy
to use “third edition” in 2000, returning the
game title to simply: Dungeons & Dragons. The
debut of the new edition was accompanied by
the first D&D feature-length motion picture
to be released (New Line Productions). Warner
Bros. produced a sequel in 2005, the “Wrath
of the Dragon God.” (from the Draconomicon by Joshua Free)
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“Via imaginative storytelling, the characters
gains more “gaming experience” cumulative
over time and ultimately becomes “stronger.”
Fantasy role-playing has been stereotyped a
“nerd niche,” but no more than chess or Risk.
Although originally conceived of by older
battle strategy enthusiasts with probably
nothing else better to do with their time, the
game is now marketed to young adults and
college-level consumers who have the
expendable income to support this (often)
expensive hobby. Other fantasy adventure
games have since followed in the D&D
tradition, including the now out-of-print
“Hero Quest” rendition by Milton Bradley and
the more recent release of “Heroscape.” No
series has ever reached the sheerness of the
original D&D world, of which practitioners
and cowans alike continue to collect vast
remnants of.” (from the Draconomicon)
“When the 1980′s were coming into their power
in human consciousness, motion pictures
such as Excalibur and Dragonslayer were
intriguing the mystical and fantasy-seeking
population, and something else arrived in the
underground: a pseudo-scientific movement
to explore dragon activity on the planet – what
they called musingly an infestation. This was
brought forth by Warner Brothers Books
when they released “Dragons: A Guide to the
Modern Infestation” written by Pamela Blanpied
in 1980 (later reprinted in 1996). The work
refers to the academic pursuit as “verminology.”
New Babylon Rising: Anunnaki, Alien Gods & Spiritual Traditions is a monthly periodical literary journal prepared for publication by Joshua Free and the Mardukite Chamberlains. First launched privately in 2009, the monthly magazine is back and refined for the public as the first regularly produced print magazine dedicated to the Anunnaki, Sumerian & Babylonian mysteries, ancient aliens, magickal revivals, dragon bloodlines and Druidism… all in one! Three issues (#1 January, #2 February and #3 March) have already been produced and released for 2012!
LESSON THREE – BREATH & WILL
Rhythmic breathing is a prerequisite for most magickal work as part of the initial grounding process (not always indicated in an advanced ritual text). This simply becomes second nature to experienced practitioners. Proper breathing is not only important for your physical well-being, it also affects your ability to meditate, relax or energize your body and aura. (Joshua Free reprinted in New Babylon Rising)
During deliberate breathing periods, oxygen should be inhaled via the nose and exhaled through the mouth. Breathing solely in and out of the mouth is actually unhealthy because the air is not slowed and warmed through the sinuses.
Any mystical work involving energy (which is practically all of it) is enhanced through proper breathing – which distributes energy through the body. When you breathe in you can feel the energy flowing into your pores and flowing through the body.
[WIZARDRY includes not only the original cult classic "Sorcerer' s Handbook of Merlyn Stone", a work that has seen thousands of copies reaching circulation, but also "The Lost Books of Merlyn Stone", returning attention to the original and rare in-house productions created for the Mystics of the Earth, Draconis Celtic Lodge of Druids, Elven Fellowship Circle of Magick and Order of the Crystal Dawn during the 1990's.]
QUAD-BREATHING
Rhythmic breathing skills come from learning to gauge your breath. As you “count” specific intervals, your breath should be steady and maximized. Completely fill and empty your lungs, holding in between. This can be uncomfortable at first, but eventually it should yield a sensation of mild euphoria (as its amazing what proper breathing can do). One popular method we call “quad-breathing,” counting four seconds or heartbeats for each part of the cycle: breathing in (counting to four), holding (counting to four), exhaling (counting. . .) and holding.
By adding visualization imagery, you can project a conceptualized idea (or polarized energy) in the area around you and then interact with it (e.g. breathing it in or exhaling it into an environment).
It is imperative for a sorcerer to maintain a true sense of self (in self-honesty). The sorcerer must always be in control of the body and mind – must always have control over the actions and thoughts that ensue from said body and mind. This is called true “willpower” or “self-direction.”
[ARCANUM EPICA materials are a revolutionary literary contribution toward the harmonic unification of 'secret knowledge' that has received many 'names' through the ages: magick, occult, esoteric, pseudo-scientific and now, even 'quantum'. In the face of uncertainty, Arcanum Epica prompts people to embrace their intuition in the light of truth.]
Practice at this may require gaining a more awkward routine – pushing yourself to behave in a way you might not normally do. That is to say: don’t allow clocks, schedules and impulsive “desires” to rule your life. When hungry, tired or the like, wait a little while longer. See if you can manipulate these sensations or trans-form them into something else. This is not to say to deprive yourself, but learn to do more than “react.” Learn to actually “act”. This type of training increases one’s control over the body – after all, how can you transcend the physical body if you are bound by it?
PORE-BREATHING
A technique referred to as “pore breathing is an advanced breathing method used in energy work or high magick, especially relating to the rays of light. In this form of deliberate breathing, you are to feel yourself inhaling through all the pores of your body. As your breathe in, you absorb an elemental energy or color (ray) from every surrounding direction, pulling it through your auric shield. When you exhale, release all the impurities of the body out of your pores as well. This process is called “energetic transfusion.” When raising energy you are drawing in external energies and adding your own vibration (via intentions) before releasing the energy into the Universe.
[A COMPLETE COURSE CURRICULUM IN MAGICK . . . The most comprehensive course in magick and metaphysics for both novice and adept alike. Prolific writer, Joshua Free has developed a revolutionary literary contribution presented in a uniquely non-linear structure that naturally adapts and evolves to a seeker's needs. Now, come initiate yourself and gain clear understanding of the harmonic unification of 'secret knowledge' that has received many labels throughout the ages: magick, occult, esoteric, pseudo-scientific and now, even quantum. Perfect for solitary seekers and working groups. Self-paced instruction provided by a leading member of the underground occult community, available without membership and in the privacy of your own home, office or secret chamber. For the first time since its prestigious debut release in 2008, the "Great Magickal Arcanum" materials are available as an all-in-one volume, reformatted to include the hundreds of facets of history, theory, practice, examples and diagrams of the original notebooks all candidly described for all ages by Joshua Free.]
“Necronomicon Gnosis” by Sortileges excerpted from: New Babylon Rising, Issue #3, March 2012 Sortileges is the Mardukite Arch-Bishop Patesi of Canada responsible for the french translation of the “Book of Marduk by Nabu” as “le Livre de Marduk par Nabu” and whose writings have appeared in such works as “Babylonian Myth & Magic” (Liber 51) as well as its correlating appearances as “Gates of the Necronomicon” (anthology) or the new “Babylonian Magick for Beginners” in addition to “Nabu Speaks!”, all available from the necrogate bookshop
I am going to relate my own first encounter with an Anunnaki being. While some readers may assume that all this is merely the result of imagination, I can tell that this experience completely transcended what is perceived as imagination, which is the mark of true Initiation. It happened some years ago, before I even heard of Joshua Free and the Mardukites. I was heavily involved in working with Solar/ Air spirits seeking knowledge of my Higher Self. (Sortileges, as featured in New Babylon Rising, Issue #3)
So there I was, sitting daily in darkened isolation inside my really small ritual room. The basic goal was to project myself through a black mirror into some Higher plane where I would discover some hidden wisdom about myself. I understood that the mirror was used as a focal point, and the best way to reach what I intended was to lift myself upward. The practical means to do so was to first cast a circle, then activate the Earth Gate via the Elements, then quite brutally throw myself up in Heaven (I would now utilize other methods, my awareness being wholly different than from back then).
The Plane I indeed reached was like an infinite light blue sky radiating a golden aura in which I was floating freely. There were clouds in the far distance, and whe-rever I flew, I could never reach them. I went there daily for some weeks, with no definite results aside from being re-freshed by this hidden light. Then, one night, again reaching the golden sky plane, I saw a shape in the distance. I clearly remember it’s features: it had no skin, only some flesh-like substance akin to crab flesh; it was white and yellow; it’s whole naked body was without legs, only some kind of tail, and large wings; it also did not have any facial features and seemed to be without a gender as well; it carried a sword radiating with strong, warm light.
From then on, every time I reached the sky plane, I saw this being. It would always remain silent. When I sought to unite myself with it’s energy, it covered me with it’s huge wings and carried me ever upward, until we reached what seemed like a huge sun, in which I thought I’d get consumed right away if I entered it. I was reluctant and fell back several times when near this force.
Eventually, I asked the entity to let me look through it’s eyes. What I was allowed seeing was bizarre and hard to describe; I was still somewhat floating, yet there seemed to be no up or down; no ‘directions’. I saw shapeless forms, moving – total nauseating confusion. The only thing I’m sure of when into this state, is that the whole was an electric green.
Throughout the month I repeated this. I grew closer to that plane and it’s entity, and one night, being again near the big sun the entity always brought me to, I felt my ego dissolve while my spirit raised itself right through the sun, immersing my being in overwhelming light.
Each month, our periodical publication “New Babylon
Rising” magazine focuses on the background of a
specific member of the Anunnaki or else a figure
that appears predominantly in a certain
tablet cycle.
For the Spring Akitu March 2012 Issue #3 of New Babylon Rising, the featured Anunnaki God/Goddess or Sumerian/Babylonian figure profiled is infamous INANNA-ISHTAR: GODDESS OF STARS.
INANNA (Babylonian: ISHTAR)
”Perhaps one of the most commonly
known of the energetic currents of the
mystical planets is the Venusian one
dedicated always to the “goddess of love
and war. This determined goddess was sure to
receive her place among all ancient
pantheons: Isis, Aphrodite, Ashtoreth…
and she is also known as the “goddess of
witches,” celebrated in their rites.” (Extracted from Liber-W)
“Our epics describe the ascent of Inanna up the pantheon, but in Babylon she was
firmly established as Ishtar in this
position, by the request of Marduk to
appease her.” (Book of Marduk by Nabu – Liber-W)
“Discord between lineages erupts when
Ishtar and Marduk were not united and
each took it upon themselves to elevate
their own positions
among our “younger
pantheon. Clearly, the
Venusian current (and
that of Jupiter) are
extremely powerful and
determined. They are not
always blatant forward
with their executions,
such as you might find
with the Sun or Mars, but they store mass
amounts of energy for eventual release at
the most “propitious” or favorable times.”
“Ishtar may be invoked to channel energies
directed toward the acquisition of desires. (A
wise one will be certain this is for their
higher good first.) Her number is 15. Colors
are green, yellow-green and white, and her
elements are water and earth.” (Extracted from Liber-W)
“Known to the Egyptians as the “Goddess
of Ten Thousand Names,” the position of
Queenship to Heaven is actually maintained
by one of the younger pantheon in
both Sumerian and the later Chaldeo-
Babylonian systems.” (Liber 50)
“Being the daughter of Nanna and Ningal –
the Sumerian aspects of the Moon – and
the twin to Samas (Shamash), this title of
high esteem is passed onto the young
Lady of the Stars due to her unequaled
beauty and cunning use of divine politics.
In Sumer, she is introduced in the
literature as IN.ANNA [“Lady of Anu”].” (from Sumerian Religion – Liber 50)
“The first presence of Inanna/Ishtar in
Egypt is mentioned in the Edfu text
dealing with the First Pyramid War.
Called there Ashtoreth (her Canaanite
name), she is said to have appeared on
the battlefield among the advancing
forces of Horus… as long as the fighting
was only between the descendants of
Enki, no one saw a particular problem in
having a granddaughter of Enlil around.
But after the victory of Horus, when Seth
occupied lands not his, the situation
changed completely: the Second Pyramid
War pitched the sons and grandchildren
of Enlil against the descendants of Enki.” Zecharia Sitchin Wars of Gods & Men, 1985
Inanna quickly rises to the status of
archetypal goddess on earth. She represents
both the “goddess of love” and the
“goddess of war” simultaneously, giving
her significant domain in the physical
world. Given this, she was favored by the
masses who adored her for her influence.
In spite of her name, she was originally
only given the designation of five, but
replaces the position of fifteen held by
Ninmah (Ninhursag) in the elder pantheon.
She was installed as the primary
goddess in Assyro-Babylonian traditions
with the name I.STAR (or Ishtar) or
“supreme goddess” [as istari is actually an
Akkadian word for “goddess”]. (See Liber-50 or Liber-C)
Assyrian art depicts Inanna-Ishtar with
wings. The same winged form also graces
her Egyptian form as Isis. Clearly she was
a goddess of the aerial world, not only
the “Anunit-(um)” [“Anu's beloved”] but
literally the skies. Seven objects are connected
to Ishtar and her aerial travels.
Similarly, there are seven garments and
ornaments removed during her “descent
to the Underworld.”
The genealogies of Sumer show Inanna as
born into the fourth generation of Anunnaki
gods [daughter of Nanna, born of
Enlil, son of Anu] and is therefore the
great-granddaughter of Anu. She receives
a special place in his heart, which is
surely beneficial in her rise to power, but
more than this, Inanna is a very actively
determined goddess who stops at nothing
to acquire what she deems rightfully
hers. If she wants it, she will take it. In the mythic cycles, this includes “decrees
of heaven,” “decrees of earth,” “secret
names of gods” and everything in between.
These powers she used (quite effectively)
to win the eternal loyalty of mortals in
exchange for granting select worldly
desires. The kings who she favored, she
would stand beside in battle and those
who she did not (or who fell out of favor)
she would lend aid to the opposing side,
showing that the “goddess of love” is not
to be scorned.
FIND OUT EVEN MORE in Issue #3 of New Babylon Rising and/or our other titles referenced on this page.
“As I explained in Necronomicon Revelations, the “Simonian”
group that was dealing with what they believed
to be some Lovecraftian remnant, was really a work
guided by the Spirit of Marduk – of which the group
was probably less than aware of at that time. With the
coming of the “Danikens” and “Sitchins” it was apparent,
at least to myself, that the movement was going to
be ready for its launch, even if first only possible in its
infancy.” (from Nabu Speaks! The Autobiography of an Alien Messenger)
“For those not familiar with the “Necronomicon” paradigm,
there are really two angles to view it from. One is
specific to the horror-fantasy writings of H.P. Lovecraft
during the early 20th century that pertain to what later
writers dubbed the Cthulhu Mythos – and it is a popular
methodology used in what is called the “left-hand-path”
of spirituality that apparently seeks ‘darker’ overtones to
their worldview. This Lovecraftian angle is, however,
really only a shadow of what is truly possible in these
pursuits for modern seekers, which leads me to describe
the the second angle; first used by the “Simon” group in
the 1970′s as a medium for relaying the Babylonian
Anunnaki revival.” (from Nabu Speaks!)
“Of course, when the Simon Necronomicon arrived on
the scene – it was not actually understood for what it
was or what it was not. It wasn’t Sumerian, it was
Babylonian – and specific to the Mardukite tradition
that venerated my father as the ‘king of the gods’, the
spirit sought by magicians using the methods of Enki –
you would not have found this in a Sumerian work,
which would have focused on Enlil, who is practically
absent from both the Necronomicon and the “Mardukite”
tradition aside from acknowledgment in the ‘Supernal
Trinity’. While Marduk, Sarpanit and myself became
the archetypal “holy family” in Babylon – we did not
attempt to manipulate the base in which the Anunnaki
was rooted in as a whole: the Supernal Trinity of Anu,
Enlil and Enki.”
“More importantly, the Mardukite tradition that in modern
times makes allusions to the Necronomicon – it is
always referring to it from the Babylonian Anunnaki
perspective as I know it to be. I am, of course, not unfamiliar
with the literary works of Lovecraft and have
already made my statements publicly concerning possible
connections and parallels of the mythology, but
again, it is not the Cthulhu Mythos that is my emphasis
at all, something which can be confusing to the uninitiated
that sees us operating under the Necronomicon
banner. I pointedly say this because I have often received correspondence regarding folks reservations about
pursuing a path (the Mardukites) that incorporates the
semantics or vocabulary: Necronomicon. This is a very
important part of the message I bring – in differentiating
between the glamours possible in this world and that
which makes glamours and worlds possible.”
Best known by his given name and work as Joshua Free, the prolific writer and founder of the modern Mardukite Anunnaki revival movement finally reveals his true nature and identity – as the hybrid alien messenger, NABU – in the much-anticipated public disclosure, “Nabu Speaks! – The Autobiography of an Alien Messenger.“
This amazingly unique and historically verifiable first-person narrative explains the struggles and successes of the ancient Nabu tribes, a “Mardukite clan” that sought to famously raise Babylon and Egypt to power by ‘Divine Right’ under MARDUK-RA; the rise and fall of the Sumerian Anunnaki, the creation and disposal of upgraded humans, the birth of societal systems of religion and politics, as well as interpersonal exchanges and feuds that were taking place “behind-the-scenes” among the Anunnaki themselves, those “ancient aliens” who became fixed in human consciousness as gods, angels, demons and spirits.
Following the chronicle of the ancient world, this amazing literary work explores the modern return of NABU to earth during present times, where it seems that human civilization has reached a critical crossroads in its evolution and survival. Challenged by a human existence in the current age, NABU explains the trials and tribulations of refining and correcting the Mardukite fragmentation of human reality, first begun by ancient alien “Anunnaki.” He candidly describes his experiences with modern seekers attracted to the movement in want for a means to achieve their own “spiritual upgrade,” to become ‘self-honest’ and participate in the survival of the next evolution of human life on earth.
“To experience this ‘lower’, more ‘condensed’ level of ‘reality awareness’, the genetic coding of the potential ‘human being’ was altered significantly. Having once been upgraded to advanced states as a ‘vehicle’ for the gods to occupy, the ‘true’ Fall was a metaphoric event, whereby the perceptual range of human consciousness was given its current (until recently) modes of operation. The “states” achieved by the magicians and priests who conduct the later ‘rites’ an ‘rituals’ in honor or by direction of these gods, angels and Anunnaki beings seem to coincide by definition with the expansion of ‘awareness’ potentials of the human being. As a result, such priests, magicians, avatars and the like, were often considered to be more than “human” for their ‘range’ of experience.” [Excerpted from Enochian Magic & The Kabbalah by Joshua Free.]
“If we truly examine what the Kabbalah represents: the entire orchestra of existence, the bands and rays of light and life that intertwine to cause manifestation, are all illustrated as ‘separations’ or ‘fragmentations’ from the Source – even though they remain connected to it. They are perceived as being a continuous unfolding or expansion of the first cause or first move or first form, which the Sumerians actually identified as a dragon. Where the Hebrew and Judeo-Christian tradition speaks of the “primordial sea” and the “separation” of this sea to bring forth life, the more antiquated tablets from Mesopotamia fully describe the same event as the birth of the first-form dragon Tiamat out of the ooze of the ‘primordial Abyss” (Absu) that initially occupied all existence before being separated into forms.” [From Joshua Free's Enochian Magic & The Kabbalah.]
“Prior to the Fall or the “disposal of humanity” (via the Flood or some other calamity), there was a mass ‘exodus’ of the gods and other angelic (Anunnaki or Igigi) beings; a period where the ‘highest beings’ withdraw from this existence so as not to become confined to its more condensed 3-D reality. By remaining outside the ‘system’ (so-to-speak), they could be allowed access to it by a ‘higher order’ and thus be able to later more directly interact with it again by incarnating into app-ropriate genetic vehicles – so that they might appear as gods and angels to the later post-diluvial humans, which they successfully did and out oldest available literature is overflowing with such renderings.” [Excerpted from Enochian Magic & The Kabbalah.]
