Since being released in 1977 — the same year that the world saw the arrival of “Star Wars”, the “Shannara” series of Terry Brooks, “Close Encounters of the Third Kind”, the debut by Zecharia Sitchin and many other consciousness paradigm-shifts — the Necronomicon by Simon has changed the shape of the modern “New Age” movement and human understanding, introducing over a million people of the new generations to the reality of the Anunnaki traditions born from ancient Sumerians, Babylonians, Akkadians, Assyrians and Chaldeans.
Shrouded in doom and gloom, contrasted against the “Cthulhu Mythos” envisioned by H.P. Lovecraft, who very well may have developed the title — Necronomicon — for his own saga and literary cycle, the book presented by editor Simon is anything but a fabrication of fantasy, but is instead an allusion to a very real, though fragmented, “Mardukite” Babylonian Anunnaki Tradition, a system that once dominated the prehistoric and ancient world before the rise of the Greeks, Romans and even Egyptians!
The modern “Mardukite” research organization has spent nearly half a decade exploring the mysteries of Mesopotamia, the Anunnaki and related subjects. After having completed the entire ‘Necronomicon Anunnaki’ literary legacy with the Mardukite Chamberlains, prolific writer, editor and founder of the “Mardukites”, Joshua Free, ends his years of silence concerning the Simon Necronomicon by finally providing his expert commentary on the classic text in Liber 555, “Crossing to the Abyss: The Mardukite Guide to the Simon Necronomicon“.
Edition note: This “Liber 555″ material is simultaneously being released in a condensed format edition as “The Necronomicon for Beginners” by Joshua Free. Available February 2012 at mardukite.com.
Each month, our periodical publication “New Babylon
Rising” magazine focuses on the background of a
specific member of the Anunnaki or else a figure
that appears predominantly in a certain
tablet cycle.
For the Spring Akitu March 2012 Issue #3 of New Babylon Rising, the featured Anunnaki God/Goddess or Sumerian/Babylonian figure profiled is infamous INANNA-ISHTAR: GODDESS OF STARS.
INANNA (Babylonian: ISHTAR)
”Perhaps one of the most commonly
known of the energetic currents of the
mystical planets is the Venusian one
dedicated always to the “goddess of love
and war. This determined goddess was sure to
receive her place among all ancient
pantheons: Isis, Aphrodite, Ashtoreth…
and she is also known as the “goddess of
witches,” celebrated in their rites.” (Extracted from Liber-W)
“Our epics describe the ascent of Inanna up the pantheon, but in Babylon she was
firmly established as Ishtar in this
position, by the request of Marduk to
appease her.” (Book of Marduk by Nabu – Liber-W)
“Discord between lineages erupts when
Ishtar and Marduk were not united and
each took it upon themselves to elevate
their own positions
among our “younger
pantheon. Clearly, the
Venusian current (and
that of Jupiter) are
extremely powerful and
determined. They are not
always blatant forward
with their executions,
such as you might find
with the Sun or Mars, but they store mass
amounts of energy for eventual release at
the most “propitious” or favorable times.”
“Ishtar may be invoked to channel energies
directed toward the acquisition of desires. (A
wise one will be certain this is for their
higher good first.) Her number is 15. Colors
are green, yellow-green and white, and her
elements are water and earth.” (Extracted from Liber-W)
“Known to the Egyptians as the “Goddess
of Ten Thousand Names,” the position of
Queenship to Heaven is actually maintained
by one of the younger pantheon in
both Sumerian and the later Chaldeo-
Babylonian systems.” (Liber 50)
“Being the daughter of Nanna and Ningal –
the Sumerian aspects of the Moon – and
the twin to Samas (Shamash), this title of
high esteem is passed onto the young
Lady of the Stars due to her unequaled
beauty and cunning use of divine politics.
In Sumer, she is introduced in the
literature as IN.ANNA [“Lady of Anu”].” (from Sumerian Religion – Liber 50)
“The first presence of Inanna/Ishtar in
Egypt is mentioned in the Edfu text
dealing with the First Pyramid War.
Called there Ashtoreth (her Canaanite
name), she is said to have appeared on
the battlefield among the advancing
forces of Horus… as long as the fighting
was only between the descendants of
Enki, no one saw a particular problem in
having a granddaughter of Enlil around.
But after the victory of Horus, when Seth
occupied lands not his, the situation
changed completely: the Second Pyramid
War pitched the sons and grandchildren
of Enlil against the descendants of Enki.” Zecharia Sitchin Wars of Gods & Men, 1985
Inanna quickly rises to the status of
archetypal goddess on earth. She represents
both the “goddess of love” and the
“goddess of war” simultaneously, giving
her significant domain in the physical
world. Given this, she was favored by the
masses who adored her for her influence.
In spite of her name, she was originally
only given the designation of five, but
replaces the position of fifteen held by
Ninmah (Ninhursag) in the elder pantheon.
She was installed as the primary
goddess in Assyro-Babylonian traditions
with the name I.STAR (or Ishtar) or
“supreme goddess” [as istari is actually an
Akkadian word for “goddess”]. (See Liber-50 or Liber-C)
Assyrian art depicts Inanna-Ishtar with
wings. The same winged form also graces
her Egyptian form as Isis. Clearly she was
a goddess of the aerial world, not only
the “Anunit-(um)” [“Anu's beloved”] but
literally the skies. Seven objects are connected
to Ishtar and her aerial travels.
Similarly, there are seven garments and
ornaments removed during her “descent
to the Underworld.”
The genealogies of Sumer show Inanna as
born into the fourth generation of Anunnaki
gods [daughter of Nanna, born of
Enlil, son of Anu] and is therefore the
great-granddaughter of Anu. She receives
a special place in his heart, which is
surely beneficial in her rise to power, but
more than this, Inanna is a very actively
determined goddess who stops at nothing
to acquire what she deems rightfully
hers. If she wants it, she will take it. In the mythic cycles, this includes “decrees
of heaven,” “decrees of earth,” “secret
names of gods” and everything in between.
These powers she used (quite effectively)
to win the eternal loyalty of mortals in
exchange for granting select worldly
desires. The kings who she favored, she
would stand beside in battle and those
who she did not (or who fell out of favor)
she would lend aid to the opposing side,
showing that the “goddess of love” is not
to be scorned.
FIND OUT EVEN MORE in Issue #3 of New Babylon Rising and/or our other titles referenced on this page.
“As I explained in Necronomicon Revelations, the “Simonian”
group that was dealing with what they believed
to be some Lovecraftian remnant, was really a work
guided by the Spirit of Marduk – of which the group
was probably less than aware of at that time. With the
coming of the “Danikens” and “Sitchins” it was apparent,
at least to myself, that the movement was going to
be ready for its launch, even if first only possible in its
infancy.” (from Nabu Speaks! The Autobiography of an Alien Messenger)
“For those not familiar with the “Necronomicon” paradigm,
there are really two angles to view it from. One is
specific to the horror-fantasy writings of H.P. Lovecraft
during the early 20th century that pertain to what later
writers dubbed the Cthulhu Mythos – and it is a popular
methodology used in what is called the “left-hand-path”
of spirituality that apparently seeks ‘darker’ overtones to
their worldview. This Lovecraftian angle is, however,
really only a shadow of what is truly possible in these
pursuits for modern seekers, which leads me to describe
the the second angle; first used by the “Simon” group in
the 1970′s as a medium for relaying the Babylonian
Anunnaki revival.” (from Nabu Speaks!)
“Of course, when the Simon Necronomicon arrived on
the scene – it was not actually understood for what it
was or what it was not. It wasn’t Sumerian, it was
Babylonian – and specific to the Mardukite tradition
that venerated my father as the ‘king of the gods’, the
spirit sought by magicians using the methods of Enki –
you would not have found this in a Sumerian work,
which would have focused on Enlil, who is practically
absent from both the Necronomicon and the “Mardukite”
tradition aside from acknowledgment in the ‘Supernal
Trinity’. While Marduk, Sarpanit and myself became
the archetypal “holy family” in Babylon – we did not
attempt to manipulate the base in which the Anunnaki
was rooted in as a whole: the Supernal Trinity of Anu,
Enlil and Enki.”
“More importantly, the Mardukite tradition that in modern
times makes allusions to the Necronomicon – it is
always referring to it from the Babylonian Anunnaki
perspective as I know it to be. I am, of course, not unfamiliar
with the literary works of Lovecraft and have
already made my statements publicly concerning possible
connections and parallels of the mythology, but
again, it is not the Cthulhu Mythos that is my emphasis
at all, something which can be confusing to the uninitiated
that sees us operating under the Necronomicon
banner. I pointedly say this because I have often received correspondence regarding folks reservations about
pursuing a path (the Mardukites) that incorporates the
semantics or vocabulary: Necronomicon. This is a very
important part of the message I bring – in differentiating
between the glamours possible in this world and that
which makes glamours and worlds possible.”
Best known by his given name and work as Joshua Free, the prolific writer and founder of the modern Mardukite Anunnaki revival movement finally reveals his true nature and identity – as the hybrid alien messenger, NABU – in the much-anticipated public disclosure, “Nabu Speaks! – The Autobiography of an Alien Messenger.“
This amazingly unique and historically verifiable first-person narrative explains the struggles and successes of the ancient Nabu tribes, a “Mardukite clan” that sought to famously raise Babylon and Egypt to power by ‘Divine Right’ under MARDUK-RA; the rise and fall of the Sumerian Anunnaki, the creation and disposal of upgraded humans, the birth of societal systems of religion and politics, as well as interpersonal exchanges and feuds that were taking place “behind-the-scenes” among the Anunnaki themselves, those “ancient aliens” who became fixed in human consciousness as gods, angels, demons and spirits.
Following the chronicle of the ancient world, this amazing literary work explores the modern return of NABU to earth during present times, where it seems that human civilization has reached a critical crossroads in its evolution and survival. Challenged by a human existence in the current age, NABU explains the trials and tribulations of refining and correcting the Mardukite fragmentation of human reality, first begun by ancient alien “Anunnaki.” He candidly describes his experiences with modern seekers attracted to the movement in want for a means to achieve their own “spiritual upgrade,” to become ‘self-honest’ and participate in the survival of the next evolution of human life on earth.
This work has been a long time coming, promised to the Mardukite
Chamberlains toward the end of the 2009 year. Extensive work with the Nabu Council and other individual members showed us that this book was going to require much more meditation and analysis before it could
be properly presented, first to our internal organization, and then also to the world.
The self-honest participation by some of the more dedicated members of our organization has proven priceless in this installment of the “Year 2” work being compiled over the last six month period with the
assistance of various Mardukite and non-Mardukites alike. The cuneiform text included, first appearing in the Liber GG and later the Necronomicon Anunnaki Bible anthology, was provided to the Mardukite Chamberlains by artist Jessica Brooks. The sigil-seal graphics that also have appeared in our prior work have now been improved by designer Sarah Banas. Invaluable assistance was also offered by the Anunnaki themselves, for
which we are also grateful.
Sumerian Religion: Secrets of the Anunnaki is not merely the presentation of dry academic renderings of obscure tablets; Sumerian Religion will take you on a progressive journey that is just as relevant and critical today as it was thousands of years ago! Sumerian Religion is the perfect practical companion to the study and practice of any and all systems as it displays the primordial origins of human traditions on the planet, a fundamental truth that all can benefit from.
Originally designed and released exclusively underground for the Mardukite Chamberlains as “Liber 50“, this amazing tome stands alone – unique as it is practical – revealing the nature, origins and traditions of the the Anunnaki Alien Gods of Mesopotamia (Sumerian, Babylonian, Akkadian, Chaldean, Assyrian, etc.), which the public has previously only known through nearly insubstantial communications. Now you can claim your own copy – a clearly understood volume offering a revolutionary perspective towards understanding Life, the Universe & Everything! Uncover the mysteries that lay hidden in ancient Sumer, with a message so relevant today, it is no wonder it became the greatest kept secret of Babylon!
After spending nearly two decades in the underground, prolific writer and founder of the Mardukite Movement, Joshua Free, reflects on the core archaeological, anthropological and mystical points of Babylonian Myth & Magic in history and practice. This amazingly informative introduction to these topics not only provides evidence for the basis of a modern revival, but proves just how relevant the pursuit of these mysteries really are.
Babylonian Myth & Magic is unparalleled in displaying the post-Sumerian mystery tradition of the ancient Babylonians, now accessibly comprehensible to any seeker for the first time in modern history. Revealed within are the very methods by which Babylon rose to power from seemingly prehistoric nothingness and how these very real systems born in the Ancient Near East are still with us today! This highly innovative work drives the emphasis home that memory of past and future are one, and uncovering the truth of yesterday will provide a stronger tomorrow!
Uncover the the real truth about what some call the NECRONOMICON and the true ‘alien forces’ behind the occult, existing in the shadows of reality for the entire history of humanity. Joshua Free, candidly reveals how these ‘spiritual beings’ have influenced the imaginations of ‘metaphysical’ writers and artists increasingly in the last century – ‘primordial gods’ seeking to have their stories told or reborn. What’s more, these powers appear to be behind all of the systems installed into human civilization, both social and mystical, since the Sumerians.
Now, at the cusp of a ‘New Age’, the mysterious development of “Simon’s” infamous edition, haunting narratives of H.P. Lovecraft, Thelemic work of Aleister Crowley, otherworldly communications by Kenneth Grant, the Nine Gates of the Kingdom of Shadows, a resurgence of interest into ‘ancient aliens’, and mainstream Cthulhu Mythos revivals by Enochian magicians like Donald Tyson all seem to be pointing toward something – some inevitable theme setting the stage for the destiny of mankind for the approaching era, uncovering the most dangerous truth about life, the universe and everything: The Great Deception of a systematic light-matrix reality under the control of the Anunnaki – the real otherworldly Gatekeepers of Life, Death & Existence.
Also released for 2012: Babylonian Magick for Beginners by Joshua Free includes the full Liber-51 text (Babylonian Myth & Magic) with corresponding Liber-W (Book of Marduk by Nabu); perfect for those who already have “Sumerian Religion” or for those who just want to sample what we have discovered.
Global Anunnaki authority, Joshua Free, explains the Mardukite Anunnaki Legacy for modern study in “Part 11″ of a transcription series based on the dialogue from the live interview with Joshua Free conducted on Paranormal Palace Radio as hosted by Royce Holleman on November 15, 2011.
Read PART 1 on NecroGate
Read PART 2 on NecroGate
Read PART 3 on NecroGate
Read PART 4 on NecroGate
Read PART 5 on NecroGate
Read PART 6 on NecroGate
Read PART 7 on NecroGate
Read PART 8 on NecroGate
Read PART 9 on NecroGate
Read PART 10 on NecroGate
(45:15)
Joshua Free (continued): We started publishing our materials not
because we wanted to make a whole
bunch of books but because we felt it necessary
to begin cataloging as time went
on. Originally they weren’t available
to the public at all. For
the first couple of years, if you
weren’t pretty intimately involved,
the you didn’t know that
we were doing it. It has since
expanded considerably, but even
that, you mentioned that there were
twenty or thirty books.
It is important
when people go to look at those that they
pay carefully attention to the descriptions
for the works, because a lot time
what we would do is, during the course of
the year there might be several manifestos
that came out as they were developed
that could be used to work through the
year more easily. So, we would put them
out there, people could use them in the
course of that year’s study and research.
When enough of that had been culminated
we would put out anthologies so that
it would be not only more economical in
a single volume, but it was prestigious for
the people that were working on it to see
this kind of stuff come into manifestation.
(46:30)
Of the thirty titles, there are probably
maybe fifteen or so actual individual
books that I have written over the course
of the years. A lot of them have been put
together to make anthologies which compose
a lot of the other titles. I want to
make sure to say this so when people see
this they are not overwhelmed by the
work we have done.
In answering that too, though,
I’m just now – it should be
available within the week or so
– we’re actually answering a
‘call’ that many people have
put out to produce a monthly periodical;
a magazine; that is dedicated to the work.
This not only helps bring out the new
information and findings easier, but also
to break down what has become volumes
and volumes of information into a synthesis
that people can absorb a little easier.
Also, with our economic age, it can be
difficult to sometimes always go out and
get all of these books, whereas incrementing it in a monthly form, it will really
help bring it to people more accessibly
then we have even before.
And that is
what a division of our group, which from
the publishing company perspective, we
were focusing on the birth of cuneiform
tablets and the language; our focus has
just kind of remained with that: – interpreting
and translating written work and
transferring it in the literary form. I’ve
done YouTube and lectures and workshops
and all of that, but it really comes
back to the writings and the books, whether
our own or clay tablets.
(48:40)
The Judeo-Christian tradition isn’t so
much like that, because you have a few
people that are actually ‘with’ the writings
and then you have enough other
people; parents give it to us, or we go to
Sunday School and so forth. In this day in
age, if you want to get to next step as it
stands right now, it requires a little bit of
an initiative, just because it is not so
commonplace and it is not so present yet
in our world.
This is changing. I mean,
more people are becoming ‘apt’ to this
every day, but still it will require more of
this. In addition to the other books, I
believe amazon has agreed to carry the
magazine as well. So, I believe it will
break it down in an economical and concise
way without always having to dig
into the archives of books. We’re trying
to think of everything and every way that
we can relay it that makes sense.
(50:00)
Royce Holleman: Does your website have membership
attached to it so that it could have
forums people can join and discuss?
Joshua Free: There is a forum. There is a link. In
addition to the website you mentioned,
we also have our library at mardukite.com, so it’s easy to type in and get there.
But, yes, there is a forum. It does require to contact
us, for some of the obvious reasons.
The work we do, is not of course, necessarily
popular among everybody and to
avoid a lot of stuff, it requires someone to
contact us from that page to join, but
there is a link to it from there.
As far as membership. We are not really
about titles and fees and keeping track of
where people live, and all of that kind of
stuff. We do have people that participate
with us and we call them members, but
there aren’t any fees or titles really connected
too much with that…
Catch the complete transcript in the February 2012 issue of New Babylon Rising!
New Babylon Rising: Anunnaki, Alien Gods & Spiritual Traditions
A Modern Mardukite Monthly Magazine Book Literary Journal: Issue #2, February 2012
* Secrets of the Anunnaki Sky Gods Revealed on Sumerian Tablets,
* Delomelanicon: The True Story of the Nine Gates of the Kingdom of Shadows,
* Ancient Aliens Theory: What has science in an uproar?,
* Merlyn’s School of Magick & Wizardry continues! Lesson Two inside!
“The Enuma Elis is named after its opening lines
in the Babylo-Akkadian language, translated
to mean: “When in the heights…” This series
of ‘seven tablets’ is better known among both
scholars and seekers alike as the ‘Babylonian
Epic of Creation’ or ‘Seven Tablets of Creation’,
which are in fact too often misrepresented
as “Sumerian.” (from Liber E)
“Archaeologists first became away of this particular
series in 1849 when the tablets were
recovered from an expedition into the Royal
Library of Ashurbanipal in ‘Nineveh’. They
were first published academically in 1876 and
received significant attention by historians,
mythographers and biblical scholars – not
only because of their antiquity, but because of
how significant the work turned out to be in
deciphering the ‘methodology’ of Babylonian
civilization and religion in addition to its very
high resonance with our contemporary and
‘classical’ “Epic of Creation” given in the Judeo-
Christian Book of Genesis.” (Liber-E is available in “Magan Magic” or “Necronomicon Spellbook I”, in addition to the Year-3 anthology format “Mesopotamian Magic” or “Necronomicon Workbook”.)
“A true scholar of the Mesopotamian Mysteries
eventually comes to understand the Enuma
Elis in a far different light than how it is most
often relayed in the commonplace ‘bedtime
story’ renditions. For one, contrary to what
we should ‘expect’ from a true Creation Epic,
the Enuma Elis does not concern itself with the
definitive origins of cosmogenesis so much as it
does with anthropogenesis – being the creation
of humans and their reality (or perception
thereof). The mood of the discourse is not
‘theological’ but ‘political’ – for the esteemed
purpose of elevating the power of Marduk
over the Anunnaki ‘gods’ in Babylon!” (Liber E)
“Multiple versions of ‘Mesopotamian-originating’
tablets exists – but there is one key point
that many esoteric practitioners and historians
miss when appropriating what ‘purpose’
the tablets have within the ‘greater’ tradition.
For example, ALL tablet-cycles that make reference
to “Marduk” are purely Babylonian or
a direct influence thereof – meaning that they
are born of the post-Sumerian Anunnaki tradition
that surrounded another key element –
the usurpation and transfer of the “power” in
Mesopotamia to Babylon, the control of the
empire by the priest-magicians and dragonkings
there residing as well as authority in
the religious and spiritual systems of the
people and their relationship with the “Sky
Gods” (Anunnaki) – all shown to be executed
by “Divine Right” and in accordance with the
“World Order” decreed by Anu, Enlil and Enki
in prehistoric times…” (Liber E)
“…it was the Enuma Elis that made this all
possible.”
“In politics, the Enuma Elis allowed the “Law of
Marduk” (for example, the ‘Code of Khammurabi)
to be upheld – as given in the Tablet-L
series in the Necronomicon Anunnaki Bible. In
religious ceremonies, the Enuma Elis was the
preliminary ‘rite’ or ‘incantation’ used before
conducting any public or private working –
such as the maqlu (aforementioned in the preface)
or the Akiti festival of Spring (Aries) that
occurred annually as the Babylonian (Mardukite)
“New Year” celebration. Even significant
rituals and smaller operations of ‘magic’ and
‘devotion’ (within the tradition) were usually
opened with a recitation of the Epic. The
words explain the basis of Mardukite Magick –
a term coined of modern invention by the
anthropologists and esoteric practitioners,
since the ancients simply viewed the same as
Life. But as a cornerstone to the Anunnaki
“post-Sumerian” evolution of the Babylonian
(Mardukite) paradigm – its rise to global influence:
politically, spiritually, magically – the
Enuma Elis is inseparably paramount to all
related ventures, including the understanding
(and theoretical implementation) of the Mesopotamian
religious paradigm, spiritual world
view, magical sciences and its later evolutions
into various kabbalahs of the world.” (Liber E)
“The Enuma Elis demonstrates a transfer of
power and ‘world ordering’ to the Babylonian
paradigm. This was a significant turning point
in global consciousness at its apex – though
the beginnings of the age (of Aries) is
appropriated c. 2100 B.C. It is around this time that a
historian finds amazing new shifts in ‘the
way’ in which things are done on the planet.
It is certainly not the origins of ‘human civilization’
in general, since such is better credited
to the pre-Babylonian Anunnaki efforts,
including that time thought to be antediluvian
or ‘before the deluge’…”
WOULD YOU LIKE TO KNOW MORE ???
Explore the Realm of the Mardukite Chamberlains today!
The Truth Behind the Legend…
“The Enuma Elis is named after its opening lines
in the Babylo-Akkadian language, translated
to mean: “When in the heights…” This series
of ‘seven tablets’ is better known among both
scholars and seekers alike as the ‘Babylonian
Epic of Creation’ or ‘Seven Tablets of Creation’,
which are in fact too often misrepresented
as “Sumerian.” (from 
