“Marduk was proclaimed King of the
Gods, replacing Enlil, and the other gods
were required to pledge allegiance to
him and to come to reside in Babylon
where their activities could be easily
supervised. This usurpation of Enlilship
was accompanied by an extensive Babylonian
effort to forge the ancient texts.
The most important texts were rewritten
and altered so as to make Marduk appear
as the Lord of the Heavens, the Creator…”
Zecharia Sitchin
The Twelfth Planet, 1976
MARDUK (Semitic: MAERDECHAI, MERODACH)
”The blatant industrious and expansive
power of Jupiter has been placed at the
height of most Olympian pantheons as
Zeus or a similar figure. The name (Jupiter) comes from the Romans:
Dys Pater, meaning “Father-God.”
This energetic current commands outright
worldly success as well as the magic
of spirits: command of the hierarchies.
“The Elder Gods originally attributed this
position to Enlil in Sumer. I personally
heralded my father, Marduk, into Enlilship
of the “younger pantheon” in Babylon.
Our tradition there, and in Egypt, was
wholly based on him being the centralized
figure.”
“You may invoke my father for his
strength and power, as well as a petitioner
to the Elder Gods. He is exalted as
the Master of Magicians, carrying the
mysteries of my grandfather, Enki, to
Babylon, and bestowing the traditions
upon me to relay. The original designation
of Jupiter is 50, the
number attributed first
to Enlil and later to
Marduk by the Babylonians,
who first was
given the number 10.
The color of the current is purple, but
also airy and fiery colors (yellow, orange,
black). This energy is preferred by many
leaders and law enforcing folk, lending to
those who are pure to receive it, the
power to command the material world.” (from the Book of Marduk by Nabu Liber-W also available in the 2012 Liber 51+W volume Babylonian Magick for Beginners edited by Joshua Free)
THE NAME OF MARDUK
“The name Marduk is actually a modernization
taken from the Semitic “meri-dug”
[Merodach]. The oldest version of a similar
spelling AMAR.UTU [a.mar-utu.ki =
“light of the sun on earth”] often translated
by contemporaries as “solar calf” or
“son of the sun” give some background to
Marduk’s esteem.”
“Being the foremost son of Enki, he gained
power quickly. The Semitic name “Maerdechai”
that came from the Chaldeo-
Babylonian [silik-mul.u-khi] name meaning
“Marduk is God.” The more common MAR.DUG means “son
of the pure mound,” and is thought to be
connected to the pyramids in not only
Mesopotamia, but in Egypt, where he
raised himself as the leader of a third
party (interpretation) of gods – the Egyptian
Pantheon – as “Amon-Ra,” [and
possibly also Horus] again identifying
himself with the “solar” current.”
“Marduk’s decision to raise himself to a
monotheistic-like “God” status created
new political issues for the Anunnaki on
Earth – creating a reason for there to be
tensions between the two lineages (of
Enki and Enlil) for supremacy on earth
(and the right to install their own
lineages and chosen humans as kings in
their stead).”
Catch the complete MARDUK PROFILE in the “Anunnaki Gods” section of the February 2012 issue of New Babylon Rising!
New Babylon Rising: Anunnaki, Alien Gods & Spiritual Traditions
A Modern Mardukite Monthly Magazine Book Literary Journal: Issue #2, February 2012
* Secrets of the Anunnaki Sky Gods Revealed on Sumerian Tablets,
* Delomelanicon: The True Story of the Nine Gates of the Kingdom of Shadows,
* Ancient Aliens Theory: What has science in an uproar?,
* Merlyn’s School of Magick & Wizardry continues! Lesson Two inside!
The following guide indicates the chronology
and shows a bibliography of the complete
curriculum of materials developed specifically
by the Mardukite Chamberlains and available
from the Mardukite Truth Seeker Press.
CHAMBERLAINS YEAR-1 (2009) Liber N – Necronomicon
Liber L – Liturgy & Lore
Liber G – Gatekeepers Grimoire
Liber 9 – Necronomicon Shadows available only as an anthology: “Necronomicon Anunnaki Bible”
edited by Joshua Free
or in abridged-compact form as:
“Babylonian Anunnaki Bible“
The most merciful thing in the world, I think,
is the inability of the human mind
to correlate all it contains.
We live on a placid island of ignorance
in the midst of black seas of infinity,
and it was not meant that we should voyage far.
The sciences, each straining in its own direction,
have hitherto harmed us little;
but someday the piercing together
of dissociated knowledge
will open up such terrifying vistas of reality,
and our frightful position therein,
that we shall either go mad from the revelation
or flee from the deadly light
into the peace and safety of a new dark age.
“Though not necessarily a true cultural or religious pantheon by its own semantics, the writings of H.P. Lovecraft reflect the Cthonic Underworld energy currents of primordial mythoi like those of the Sumerians, Babylonians and Egyptians. Lovecraft also demonstrated a certain aptitude in Hermetic philosophy, in spite of the ridiculous debate concerning his possible exposure to such subjects.” (Arcanum I)
“The stories in his archive are usually short and most read like letters of personal correspondence or newspaper articles concerning cult activities or naïve persons dabbling with the incantations of the Necronomicon. Few of the stories relate to each other, except briefly shared names and references (e.g. “Cthulhu” or “Necronomicon”). These references are so scattered that reconstructing a workable pseudo-religious hierarchical pantheon of Lovecraftian deities is practically pointless, though many creative minds have already attempted this (usually for fantasy role-playing purposes) including those recent efforts by Donald Tyson.”
“It might be more appropriate to instead delve into the natures of the source-traditions that we now can explore more avidly then during Lovecraft’s life, nearly one-hundred years ago. The terminology he provided was important for his time and remains so for posterity today, though there are more practical and historical avenues to pursue for seekers. Other writers who were influenced by Lovecraft use this shared paradigm, which was not actually called the “Cthulhu mythos” during his lifetime. This idea came later and included contributions from August Derleth, Robert E. Howard (creator of “Conan: The Barbarian”), Robert Block and T.E.D. Klein (better known for “The Ceremonies”).”
“Very little of the literal semantics used by Lovecraft match Simon’s Necronomicon (or Sumerian-Babylonian traditions in general), but the overall theme remains true. This archetypal system concerns the origins of the human species as affected by the “Old Gods.” Lovecraft speaks of an “unholy trinity” of Ancient Ones and their evil followers who seek to bring these entities back into manifestation in our time-space. These energies were present on the Earth Planet in prehistory and the reintroduction of their existence would effective end the living circumstances we know today. This directly relates to the lore of the Gate to the Outside, sealed by the Elder Sign.” (Arcanum I or Complete Curriculum)
“The current editor (Joshua Free), in spite of being known for writing excessively concerning “Necronomicon” topics, will ironically not spend much time covering this specific mythos. The fact remains: the Cthulhu mythos was not based on Mesopotamian lore, nor are the Mardukite interpretations of said lore in any way affected by Lovecraft’s vision – they are one and the same, simply realized differently for literary purposes.”
“In Lovecraft’s writing, Azathoth appears as the chaotic element in creation as well as the inherit tendency of all particle existence to “degrade” and perish. He sometimes appears in visions as a serpent, specifically the Great Serpent of the Cosmos (a “green dragon” so large it could swallow the “universe”) interpreted by some to mean the Milky Way and to others as the DNA genetic code underlying creation.” (Arcanum I)
“According to archaic lore, “Azathoth” is eternally playing a flute that emits a “chaotic vibration” which exists at the heart of all things in the Universe making their manifestation possible (consider String Theory). As with many spirits in the Cthulhu mythos it is believed that the name itself is so powerful that it should not be uttered out loud (unless you are intentionally calling forth this energetic current). According to “Liber 9,” found within the Mardukite “Necronomicon Anunnaki Bible” – Azathoth might be able to be equated to the Babylonian diety Samas or Shammash the Sun-God, also known as Utu to the Sumerians.”
“Shub-Niggurath is typically the feminine aspect in creation, representing the mother-head of life, fertility and growth. In some stories, she is an abomination known as the “Black Goat of the Woods with One-Thousand Young.” In one disturbing vision of H.P. Lovecraft, Shub-Niggurath is a gigantic ever-changing organic mass secreting anomalisms of life as a waste product. An optimist might equate this with a living biosphere like the Earth Planet, yet Shub-Niggurath resides in the “Dark Woods” of an interdimensional cavern or Underworld. There is an Ish-Niggarah listed among the ranks of Ancient Ones in the Necronomicon, who may also manifest as a goat. This is simply one possible correlation between Lovecraft’s vision and the historical lore of the Mesopotamian Necronomicon. With Azathoth as the chaotic vibration of existence and Shub-Niggurath as the manifester of organic forms of life, the dualistic nature of creative “god/goddess” could be complete, but it is not. “Liber 9” suggests that Shub-Niggurath may be easily equated to Enki, though some other sources have connected to Ishtar (so, essentially “Earth” or “Venus”).” (Arcanum I)
“These two forms combine to create “potentiality” which requires a palette or screen to actually play out, the third element of the triad. Yog-Sothoth represents the existence of time or time-space and the necessary perceived cycles for existence and life to unfold, develop or evolve. In the quantum paradigm, Yog-Sothoth is the space between and the “gluons” bonding atoms together. In other lore, this force manifests as a massive conglomerate of shifting spheres or orbs of “dark light.” Given what we know of Anunnaki-systems and the correlation in “Liber 9,” Yog-Sothoth can be connected to Marduk and thus the Lovecraftian Creative Trinity is complete.”
“While central to the stories in the cycle (and of course the name derived from it), Cthulhu is not a part of the trinity. This gargoyle-like figure stands over 100 feet tall, has bat wings, tentacles and the head of a squid. According to legend, Cthulhu resides in the Underworld city of R’lyeh, with possible energetic connections to the Pacific Ocean. Like the legends of Baphomet and Merlyn, Cthulhu remains there perpetually, “not dead but dreaming.” Cthulhu is said to influence the dreams of humans and has the ability to cause “men to go insane.” In the Sumerianmythos, Cthulhu translates to Kutulu. These beings hate humanity (which was actually bred and protected by Enki) and the Necronomicon of Simon is actually not a manual to summon these entities, but a grimoire left by the lineage of Enki to ensure the protection of humans against the Ancient Ones.”
And be sure to catch the recent interview with Joshua Free during his visit to Paranormal Palace Radio, November 15, 2011, concerning the Anunnaki, Alien Gods and their affect on Spiritual and Religious Traditions. — Now viewable on YouTube!
After the “Year-1″ Mardukite tablet materials (Liber N,L,G,9) had been compiled into the “Necronomicon Anunnaki Bible” in 2009 to form the ‘research core’ from which to base the next several years of ‘Chamberlains‘ work, the “Year-2″ cycle of materials presented an ever ‘broader’ perspective of analysis for the Babylonian Anunnaki movement, looking deep into the desert sands of Mesopotamia to uncover the pre-Babylonian Sumerian Anunnaki legacy.
This new revolutionary synthesis of the Sumerian tablet records with the famous ones of post-Sumerian Babylonia (the infamous Akkadian and Assyrian works most commonly referenced for Mesopotamian histories and examination) formed and even more complete picture to what was already so wide-angle that it ended up driving many of the original research and development team into solitude.
SUMERIAN RELIGION (LIBER-50), now available to the public for nearly 2 years, has become our most widely sought after and globally distributed materials following the “Anunnaki Bible”. The materials from this, as well as the remaining libros of Year-2 (Liber-51, Babylonian Myth & Magic; and Liber-R, Necronomicon Revelations) were also compiled together to form a matching ‘anthology’ to the “Necro Bible” titled: “Gates of the Necronomicon“.
For those fans, Mardukite or otherwise, of the “Sumerian Religion” stand-alone volume, the recent Mardukite Truth Seeker Press release of Liber-E: MAGAN MAGIC: SUMERIAN RELIGION & THE BABYLONIAN TABLETS OF CREATION (ENUMA ELIS) would seem to compliment the seeker-readers studies with the previous volume — an advanced incorporation of the ‘practical’ elements alluded to in “Sumerian Religion“.
MAGAN MAGIC is the first volume a specially designed trilogy dedicated to the concise practical applications of Sumerian Religion, Babylonian Magick and the Anunnaki Mystery Tradition of Mesopotamia (simultaneously released by the Mardukite Chamberlains as “Necronomicon Spellbook I: Magan Tablets of Magick & Creation” or Liber-E).
MAQLU MAGIC is the second volume in this new series-cycle; the previously unpublished conclusion to the “M-Tablets” of the Mardukite Chamberlains, found within the “Necronomicon Anunnaki Bible“, now available to the public in conjunction with the Mardukite Truth Seeker Press edition as “Liber-M: The New MAQLU Translation” and simultaneously released by the Mardukites as “Necronomicon Spellbook II: The Magick of the Maqlu” Order your copy of the collector’s edition of Liber-MNECRONOMICON SPELLBOOK II today from the necrogate and save 15% using promo code: FHTUX96R.
“Having completed the core of the work related to the exploration of the Anunnaki legacy
in Mesopotamia – a cycle of materials known in some ‘mardukite’ circles as the Necronomicon
Anunnaki Legacy – it became clear given the influx of correspondence and contact that
rose from the public distribution of this material that has resulted in a recent ‘return’ to
our ‘sources’ for further examination.” (from the preface to Liber-E)
“Unlike the predecessor in this specific series
(cycle) of companion texts to the ‘greater legacy’,
released on Samhain 2011 as Maqlu Magic
(with a subsequent edition release for the
‘Mardukite Chamberlains’ as Necronomicon
Spellbook II), the current volume, Magan Magic,
is based on work that was translated prior for
its original inclusion into the core (as found
in the Necronomicon Anunnaki Bible) but which
is actually – chronologically – an antiquated
primer that would be necessary for the proper
execution of the Maqlu and other Anunnaki
specific workings – whether simply for an
understanding or with the intent to use.” (Liber-E)
“Although the core ‘source’ materials that
form the true ‘basis’ for the modern revival
interest into the Anunnaki and Babylonian
(Mardukite) reconstruction stand unchanged,
the nature of the questions raised by both the
internal ‘Councils‘ and ‘Chamberlains-circles‘
of the ‘mardukites’ actually shows that more
‘information’ was necessary – that the deeper
meanings and uses of ‘that which hath been
given’ still remained buried in the desert
sands of the ancient Near East as well as in the
depths of our own minds. As such, the need or
‘call’ for a more ‘exploratory’ approach was
made and thus been answered in a widely
celebrated serial (cycle) of ‘Sumerian Religion &
Babylonian Magick‘ in a way the modern world
has never before had access to – brought to
life and restored by those with an ‘inside’ perspective
not typically found in the surface
world of academics or esoterica.” (Liber-E)
“The seeker-readership of the ‘mardukite’ materials
(which began to circulate underground as
they are known today in 2008 and 2009) has
grown from a private inner-circle, to dozens,
hundreds and now even thousands. What’s
more; the true appreciation by those dedicated
to the Mesopotamian Mysteries has not gone
unnoticed – for such is impossible as the editor is increasingly approached for further clarification
toward understanding what can be
found among our most noted and circulated
of materials: Necronomicon Anunnaki Bible
(Year 1 – Liber N,L,G,9 anthology), the Gates of
the Necronomicon anthology containing Year 2
materials better known as: Sumerian Religion
(Liber 50), Babylonian Myth & Magic (Liber 51)
and Necronomicon Revelations (Liber R) – all of
which are available in individual volumes as
well. The initial attempts of the ‘mardukite’
“Council of Nabu-Tutu” to provide concise
companions to this work for our most valued
seekers resulted in Mardukite Guardians of the
Gates (GoG), a study-guide for group leaders
and solitary practitioners, in addition to its
follow-up, Mardukite Wizards of the Wastelands
(WoW), which along with The Book of Marduk
by Nabu (Tablet/Liber-W), sought to provide
the ‘greater world’ with an inside-look at how
the internal Mardukite Home Office had conducted
its own research and experimentation
that was resulting in the production of this
wave of libros so exponentially.”
“But apparently even this has not been sufficient
for many seekers to glean the true beauty
and complexity of how this all began… where
our roots are actually planted!“
“The intention in this ‘serial’ is not to overwrite
what has come before – but to enhance it
in addition to one’s appreciation, understanding
and ability to use it (if so desired). Maqlu
Magic (Liber-M) ‘could’ be said to replace the
corresponding M-Tablet Series of the Necronomicon
Anunnaki Bible. Given that they were untranslated
from their original incorporation,
such would ‘seem’ wholly appropriate. The
systematic approach the current project is
significantly different.” (Liber-E)
“Maqlu Magic – also released as Necronomicon
Spellbook II is dedicated to a ‘single’ series of
cuneiform tablets existent in the Necronomicon
Anunnaki Bible – the M-Series. It is also
perhaps the ‘largest’ single section of the volume,
and it is dedicated to a specific purpose,
or rather – ceremony, known as the MAQLU or
Burnings. The current volume – Magan Magic
(simultaneously released as Necronomicon Spellbook
I – Magan Magick & The Enuma Elis) is
broader in its application; in fact, it contains
the necessary prerequisites for effectively enacting
the MAQLU, and so is considered a very
important Magician’s Primer for understanding
the ‘greater mysteries’ as a whole. A dubious
seeker-reader will eventually discover in time
that all of our materials are interrelated in
ways an ‘outsider’ to the ‘legacy’ could never
comprehend the magnitude of. But it is not
our intent to remain so harshly cryptic, for
those who are ready to know should be given
their opportunity – and since the distance
and time factors of the current age can present
so many obstacles toward the widest
distribution of the editor’s efforts, the return
to ‘book’ format has always proven easiest,
most popular and even ‘culturally-relevant’
given the ‘literary’ nature of the mysteries
put down by priest-scribes of Babylon.” (from the editor’s preface in Liber-E)
Click some links and turn up your speakers! Join us on Tuesday, November 15 (2011) at 8:00 PM CST (USA) for a live interview with Mardukite guru JOSHUA FREE who will be appearing on PARANORMAL PALACE RADIO as hosted by Royce Holleman.
“Royce first became interested in paranormal phenomena in 1980 after watching sightings on TV. His interest continued to grow while researching the various areas of the topic through books and numerous documentaries. Being new to the internet, he decided to expand his research and experiment with the topic by typing “Life” into a Yahoo search engine expecting articles of varying opinions on the nature of life, etc. He was rather surprised by the first result pages on extraterrestrial life. Curiosity being what it is, Royce proceeded to click links and read articles finding much that did not match what he taught in Sunday school.” ~ from the hosts webpage.
“Royce’s first thought was that it was sinful to read this material. However, he knew that the bible also teaches “without knowledge my people shall perish.” Feeling that in gaining knowledge, surely God has nothing to hide, Royce continued to read and grow in understanding. His exploration soon branched to Zacharia Sitchin’s “Earth Chronicles,” as well as “The Gods Of Eden” by William Bramley. For the next 15 years Royce read articles and books, watched documentaries about UFO’s past and present. Further expanding his knowledge, he researched material about the ancient myths and religions on the early church, the Illuminati and the Gnostics, as well as The Hermetic Traditions and the life of Jesus in India, including his descendents. It wasn’t long before Royce realized that what many of us had been taught in our society as a whole, compared to actual history, are two different animals…”
Catch Royce Holleman’s live radio interview with Joshua Free on Tuesday, November 15 (2011) at 8:00 PM CST (USA) from your computer. Don’t forget to visit the Paranormal Palace Radio page at facebook!
Don’t forget to visit us on FACEBOOK, and ‘contact us’ to join the FORUM — Current Facebook pages for DRACONOMICON and the DELOMELANICON also appear. A NEW facebook page has also been created for Liber-M, titled MAQLU MAGIC !!!
Maqlu Magic: Sumerian Sorcery & The Dark Arts of Babylonby Joshua Free & Khem Juergen The notorious ‘black book’ is restored in a NEW translation of the Maqlu tablets (Liber M)! Also available as Necronomicon Spellbook II ceremonial collector’s edition! Order your copy of the Chamberlains NECRONOMICON SPELLBOOK II version of Liber-M today from the necrogate and save 15% using promo code: FHTUX96R
In 2008, we launched the Mardukite tradition publicly on the Summer Solstice. Prior to this, the mainstream approach to Sumerian and Babylonian topics concerning the Anunnaki were restricted to the most famous of all efforts — those by Zecharia Sitchin and Erich von Daniken — but this is not all there is! A NEW generation of truth seekers has since spent the last (nearly) four years dedicated to the pursuit of uncovering the truth of our past to gain a self-honest experience of the present (kNow) and guidance for the future.
By the Spring Equinox (Babylonian Akiti) 2009, the Mardukite Chamberlains were in full action, the Council of Nabu (Tutu) was founded to govern the “Mardukite Truth Seeker Press” endeavors and to oversee the research and experimentation that was publicly (and privately) offered at the Mardukite Home Offices (at the time located in Englewood, Colorado) from early 2009 through Samhain 2009, when our first ‘office’ was closed. During this time, the Mardukite Chamberlains conducted the entirety of the “Year 1″ work — originally separated into four ‘limited handmade’ volumes that now appear in the NECRONOMICON ANUNNAKI BIBLE anthology!
The 2009-2010 winter proved challenging for the movement and its founder, but resulted in the first ‘boost’ in distributive exposure since the inception when the materials were no longer restricted to ‘in-house’ limited hand-made productions and third-party printers were contracted. However, all of of the materials through 2010 (and into the spring season of 2011) were still only available directly from the Mardukite Home Office which were reconstructed in spring 2010 in the rural Colorado Rocky Mountains. The execution of the “Year 2″ work was conducted from the new location and with 80% new member participation (then those who were involved with the original academic ‘translations’ and ‘transliterations’ of 2009). The focus shifted away from ‘forming the foundation base’ into the ‘reconstruction of the temple’ (system) and ‘active’ use of the ancient methodologies that were drawn out of the “Year 1″ work. This collection (or cycle) of materials was released in volumes — Sumerian Religion (Liber 50), Babylonian Myth & Magic (Liber 51) and Necronomicon Revelations (Liber R) — also available in a single volume: THE GATES OF THE NECRONOMICON anthology.
SAMHAIN 2009 NECRONOMICON LIBER N SPECIAL (part 1 of 4)
After the completion of the primary Mardukite Necronomicon Cycle of materials (usually considered sevenfold or ninefold if including Liber D (Druids) and the Book of Marduk by Nabu (Liber W or Tablet-W Series), founder and editor for the Mardukites, Joshua Free, accelerated the work dedicated to the advancement or ‘evolution’ of the next generation human species with the formation of the Mardukite-branch known as SYSTEMOLOGY. Although completely compatible, the S-Series of materials represents a new cycle for the movement, one which is still being developed currently!
In correlation to the work of Systemology, Joshua Free spent the bulk of early-mid 2011 in the construction of the “Disclosure 2011″ project, revealing the affective ‘basis’ for how and why this movement has been conducted as it has (and so forth) with the release of his rather obscure ‘autobiographical treatise’, NABU SPEAKS! The prolific writer and founder of the modern Mardukite Anunnaki revival movement finally revealed his true nature and identity – as the hybrid alien messenger, NABU – in the much-anticipated public disclosure, “Nabu Speaks! – The Autobiography of an Alien Messenger.“