MAQLU MAGIC: Sumerian Sorcery & The Dark Arts of Babylon edited by Joshua Free with translation assistance by Khem Jeurgen — has FINALLY been released! MAQLU MAGIC is the previously unpublished conclusion to the “Tablet-M Series” of the Mardukite Chamberlains catalogue, previously found untranslated within the “Necronomicon Anunnaki Bible“, now available to the public in conjunction with the Mardukite Truth Seeker Press edition as “Liber M – The New MAQLU Translation” and simultaneously released by the Mardukites as “Necronomicon Spellbook II: The Magick of the Maqlu” (a ceremonial “Chamberlains” edition of the same “LIBER-M” text).THE MAQLU…
…the most ancient and coveted manual of the DARK ARTS ever known to man — finally translated for accessible modern practice by the Mardukite Chamberlains for the first time ever in print to the public — the product of three years of intensive research and experimentation!
THE MAQLU…
…an authentic “Necronomicon Spellbook” of Mesopotamian Magick drawn from the sands of Babylonia — as known to the Sumerians then reinvented in Babylon — forming a complete Anunnaki (‘alien sky god’) “grimoire” — a complete handbook dedicated to ENKI, MARDUK and SAMAS and used by magicians and priests for thousands of years to combat in wizards’ duels, reverse the effects of evil spells and curses, banish disease and nightmares, and conjure the protection and blessings of the gods!
THE MAQLU…
…no mere ‘folk magic’ or rural witches’ “Book of Shadows”, the MAQLU (M-Series) of cuneiform tablets was first in possession of the ‘highest order’ of priest-scribes and temple-magicians in ancient Mesopotamia — the cradle-origins of human civilization. So powerful was the MAQLU that the government of the greatest empires in history employed its use to ensure prosperous lands, happiness among the people and to dispel the chaotic, negative and malignant forces in the community — things we long for even now… and perhaps as in the long forgotten millennium past, the MAQLU provides an answer just as relevant today!
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ANOTHER NecroGate blog on the MAQLU.
“The cuneiform tablet series known as the Maqlu or “burnings” is of popular interest to those of both a purely “Babylonian” as well as
“
“Ceremonial recitation of Mesopotamian tablets in the Maqlu series
could be publicly used by the priests to counter the actions made by the
“wicked magick-users” in the land, especially when they have made a
specific person or force their target. Some kind of representation would
be made to be the ‘target’ of all of the evils in the land or else the
specific plight that seemed to ail the people at a particular time. A
waxen doll may be cursed over a flame and then melted into a cauldron
(e.g. Aga Mass Ssaratu).” (see the 
“The underlying intention behind such rites becomes clear: to prove an
appeal to the Higher Powers of which is also the life-source of the Evil
Sorcerer’s magick (or any energetic currents that pervade the land), to
cut them off from that source by the pious appeal to the Anunnaki races,
and finally the “belittlement” or “dispersal” of their energies – often
“washed away in waters” or, as can be seen often in the Burning Rites,
“incineration by fire.” (Liber R may be found in the 
In correlation to the work of Systemology, Joshua Free spent the bulk of early-mid 2011 in the construction of the “Disclosure 2011″ project, revealing the affective ‘basis’ for how and why this movement has been conducted as it has (and so forth) with the release of his rather obscure ‘autobiographical treatise’, 
The most coveted underground materials from the Mardukite Research Organization return to print in the long anticipated anthology collection: 
“What has only been alluded to or suggested
by past efforts in the New Age can now be
thrust wide open in a comprehensive serial or
‘cycle’ of literary materials – from which the